自然还是人工

两位丹麦大师是如何阐释风景园林即为“耕作艺术”这一观点
How Two Danish Masters Support the Understanding of Landscape Architecture as‘the Art of Cultivation’

撰文（丹麦）玛琳妮·郝萨娜
Text by Malene HAUXNER(Denmark)

翻译 张谊加 孙帅 张慧
Translation by ZHANG Yi-jia, SUN Shuai, ZHANG Hui

校对 蒙小英
Proofreading by MENG Xiao-ying

摘要：有关自然景观、适宜景观以及美丽景观的定义以及它们是浑然天成还是人工制造的争论一直贯穿于风景园林体系中。丹麦大师 G·N·布兰德特（1878-1945）和C·Th·索伦森（1893-1979）支持风景园林是一门“耕作艺术”这一观点，注重工业、生产方式、生产技术和过程，认为主要问题已不是重现消失的景观，而是营造一种能够解决现在和未来的建筑问题的景观。

关键词：风景园林；丹麦园林；研究；布兰德特；索伦森

丹麦：自然与人工

Abstract: The understandings of what is natural and beautiful; the given or the made are throughgoing in landscape architecture. The Danish masters G.N. BRANDT (1878-1945) and C.Th.SØRENSEN (1893-1979) supported the idea of landscape architecture as ‘the art of cultivation’ and emphasized on industry, means of production, technology and processes of production and proposed that it is not a question of reproducing the picture of the lost landscape, but of a creation of a landscape that solves the architectural problems of the present and the future.

Key words: Landscape Architecture; Danish Landscape Architecture; Research; G.N.BRANDT;C.Th.S.RENSEN